WORKING EXPERIENCES
2003-2017
Industrial Light and Magic - San Francisco CA. USA
Compositing Supervisor / Digital Compositor
[Senior compositor responsible of all kinds of visual effects for feature films. Compositing Supervisor duties include team supervision, client meeting, workflow organization and shot supervision until completion of work.]
2002-2003
Media Principia - Montreal Qc. Canada
Digital Compositor: Shake
[Responsible of the graphic design and composition of the opening credits for the film “The Blue Butterfly”.]
2002-2002
Meteor Studios - Montreal Qc. Canada
Digital Compositor: Shake
[Assembly of 3D elements and live action for a Discovery Channel television serie. Responsible of the final composition and color balance of several sequences.]
2002-2002
NorthWest Imaging & Fx - Vancouver B.C. Canada
Digital Compositor: Inferno
[Senior compositor for a feature film. Completion of over 40 shots, including all tasks associated with the compositing process. Responsible for the graphic design of the opening title.]
2001-2002
Big Bang FX Animation - Montreal Qc. Canada
Compositing Supervisor
[Senior compositor responsible of all kinds of visual effects and graphic design for feature films, television series and large format film (IMAX). Compositing supervisor included duties such as clients meeting, project evaluation, management and supervision of project until completion of work.]
1994-2001
Hybride Technologies Inc. - Piedmont Qc. Canada
Lead Compositor: Inferno
[Senior compositor and sequence supervisor for several feature films and television series. Graphic artist for over a 100 commercial ads. Asked to perform all tasks associated with the compositing process.]
EDUCATION
College of Jonquière, Jonquière Qc. Canada
Arts and Technologies of Medias
[College degrees in television]
[Option in editing]
AWARDS
Nominated in [Outstanding Special Visual Effects in a Supporting Role] category for Jack Ryan.
Invited to become a member of the Academy of Motion Pictures, Arts and Science. Aka; The Oscars
2016 HPA Award
Nominated in [Outstanding Visual Effects - Feature Film] category for Captain America: Civil War.
HPA Awards took place on Nov. 17th, 2016 at the Skirball Cultural Center in Los Angeles, California.
Nominated in [Outstanding Visual Effects - Feature Film] category for Tomorrowland.
HPA Awards took place on Nov. 12th, 2015 at the Skirball Cultural Center in Los Angeles, California.
Nominated in [Outstanding Visual Effects - Feature Film] category for Captain America - The Winter Soldier.
HPA Awards took place on Nov. 6th, 2014 at the Skirball Cultural Center in Los Angeles, California.
Nominated in [Best Single Visual Effect of the Year] category for Pirates of the Caribbean: At World's End.
VES Awards took place on Feb. 10, 2008 at the Kodak Theatre Grand Ballroom in Hollywood, California.
2007 VES Award
Won in [Outstanding Compositing in a Motion Picture] category for Pirates of the Caribbean: Dead Man's Chest.
VES Awards took place on Feb. 11, 2007 at the Kodak Theatre Grand Ballroom in Hollywood, California.
PUBLICATIONS AND CONFERENCES
2016
August 26th - Invitation to a Q&A Panel for Marvel Day at the San Francisco Giants. With Alexis Cozombolidis, moderator, AT&T Park.
July - Issue of CGW Magazine. “Size Matters” about the visual effects of Captain America Civil War. Interview by Barbara Robertson.
January 26th - Interview for Le Nouvelliste about the VFX nomination of Tomorrowland in the Best Compositing in a Feature Film category.
January 21th - Interview for Le Journal de Montreal about the VFX nomination of Tomorrowland in the Best Compositing in a Feature Film category.
2015
August 12th - Siggraph Presentation. Fix the Future: Industrial Light and Magic and the Visual Effects for Tomorrowland. A 1:30 hour presentation capturing the work done during the production of Tomorrowland. Hosted by Siggraph Production Sessions, Los Angeles Convention Center, South Hall K.
July 2nd - Interview with FXGuide for the 40 Years of Industrial Light and Magic. Interview by Mike Seymour
May 23rd - Interview with FXGuide about the visual effects of Tomorrowland. Broadcasted on wired.com. Interview by Mike Seymour
May June - Issue of CGW Magazine. “Building the Future” about the visual effects of Tomorrowland. Interview by Barbara Robertson
February 20th - Interview for Le Journal de Quebec about the Oscar nomination of Captain America The Winter Soldier in the Visual Effects Category.
2014
April - Guest on the cultural TV show Voir Tele. An interview and visit of the Industrial Light and Magic Studios located in San Francisco, CA.
2008
May 9th - VFX Workshop. A 1:30 hour presentation on the work done during the production of Pirates of the Caribbean: At World's End. Hosted by Autodesk, a visual effect software company.
February 18th - VFX Supervision Workshop. A 3 hour conference on the work done and the challenges of Pirates of the Caribbean: At World's End. Hosted by the Quebec Film and Television Council.
2007
August - Guest on the CBC cultural TV show Bons Baisers de France. An interview about the work and successes of Pirates of the Caribbean: Dead Man's Chest.
May 26th- Newspaper interview in La Presse, related to the VES win and the work on Pirates of the Caribbean: Dead Man's Chest.
2006
November - Appearance on the DVD extras of Pirates of the Caribbean: Dead Man's Chest. Interview about the work done on the Kraken attack's sequence.
2005
September 3rd- Interview for the magazine 7 Jours on the work at Industrial Light and Magic.
May 28th - Newspaper interview in Le Journal de Trois-Rivieres on the experience of working on Star Wars: Episode III – Revenge of the Sith.
May 23rd - Newspaper interview in Le Journal de Montreal on the work and supervision of Star Wars: Episode III – Revenge of the Sith.
May 9th - Interview for the cultural TV show Flash about the work on Star Wars: Episode III – Revenge of the Sith.